Under his leadership, he immersed himself in design long 525 feet of mold embossed ribbon, describing heaven one ranks tributary to Athens, the goddess of the scene, more than 360 figures and 200 bulls horses cattle and sheep, massive, composition uniquely, regardless of character in men, women and children, clothing and naked, in groups or single people, all take care of each other, tortuous changes, and no messy and repeat the feeling constitute a graceful lines and fast-paced, and the harmonization of the brilliant tu, it is epic in chinese bronze, is the art model of realism and the ideal of beauty phase, reflects the essence of the aesthetic ideas of ancient Greek bronze sculpture: loyal to the natural purification of natural from nature, but also higher than natural, and give full play to the imagination, a lofty artistic ideal and aesthetic fashion. In response to this phenomenon, it is reasonable to believe that the auction price of the bronze is running at record levels.
  "Benny opened" like one of the masterpieces of the early Hellenistic is a commemoration of 306 BC defeated the ruler of Egypt a victory statue of her two wings open, and body demon Kin, flurry, a firm pace, the wind from each of the folds, are permeated with the ancient Greek bronze sculpture art the substance of the aesthetic spirit of Greek bronze statue art into the classical era, imitating a combination of natural and idealized aesthetic thinking more and more performance outstanding, especially the famous the works of master sculptor Myron come out more brilliant, makes the artistic and aesthetic ideas into the heyday of Myron made a careful study of the attitude of the figures carved movement, his grasp of the successful work of the instant action. "discus to understand changes in human muscle in motion a series of actions accurately condensed into a simple typical gesture, the United States has been fully reflected. Recently, there is almost no such large and well-preserved bronze.
 The drapery deal with the more natural and realistic, to mimic the natural realistic and idealized combination of the plastic arts, aesthetic thought Blair to late antiquity, portrait bronze sculpture, the statue's mouth up has a smiley face, called archaic smile, even the fallen soldiers are no exception. the performance of carving the human body posture has become more rich and natural, beautiful body curves to break through ancient concept of gradual liberation from the fetters of the traditional stereotypes of the realism of aesthetic fashion becomes increasingly sophisticated, and constantly deepen a Greek bronze sculpture of a discus thrower the "F ig, 1 T he G reek and scu the lp tu re" iscu s T h row er "D, the students of Myron, Phidias, the dean of Greek sculpture in bronze, and his name is almost a symbol of Greek art, the famous Parthenon. Anyhow, we have no idea about the links between the price of the bronze and its intrinsic value.
 The classical period, the weight of God and the heroic epic fantasy concept was discarded, generated with the previous generation of different years and the style of realistic art in bronze sculpture Phidias. "lofty style" into Athens people master sculptor Sri Lanka had made "beautiful style" such as the messenger god Hermes this respect the work can be seen early and heavy, the sense of form has disappeared, infiltration of the soft mood of the art, full of instead of the original majesty of luscious sexual function, with the pre-master in the style of engraving can be a little inkling, began to express the bold works of the goddess naked form, breeds a Greek bronze sculpture of the great transformation of the aesthetic thinking of the famous the Shamo Drake. For example, the auction in Shanghai Chongyuan sold one bronze sculptures with a fetch of 26.4 million yuan.

Their yard, from west to east, into the winding at several peaks that profound momentum involves both Chinese and foreign cultural exchanges, geographical, ethnic and age characteristics. Caves with its characteristics of all forgetting, embracing its aesthetic structure - life aesthetic universe aesthetic, epistemological, and ethical order of the characteristics of highly uniform, therefore, in Grottoes limited space, resulting in the boundless breadth and depth, all-encompassing, Buddhism country Wan infinite realm. "Losana Giant Buddha, Longmen Grottoes, the Fengxian Temple than ten meters high, sitting along the rock-cut shrines, statues of Buddha, Big Five, King Kong Buddhist order discrete the side. When people along the run up to climb the stone steps to the Buddha with a single step on the platform, eagerly looking at that solemn, serene face, can not help but experience the world seems to disappear between people Buddhism and days with a detached sense of . Gilt technology of the sculpture in bronze in ancient times was also known as “painting gold”.
Another example, in the modern environmental sculpture process, we not only be familiar with the local environment to surround this bronze sculpture, but also familiar with the entire city environment, to fully understand and master the city's history, traditions, culture and future direction . From the many bronze sculptures we see the creator of the efforts in this regard, and strive for the overall conception and planning in the creation of the bronze sculpture within the extended space and extension of space, in order to achieve and co-reunification is the goal. It was to paint the ally of mercury with gold powder to the surface of the bronze. British Henry? Moore is one of them. Moore loved their works on the natural environment, under the blue sky and white clouds. Special preference for this environmental choice depends on the performance characteristics of the extension of space within the content of their works.
In fact, in the creative process in the environmental bronze sculpture, the sculptor first environment, the idea of the order of the bronze sculpture had instructions of the status of the extension of space within the sculpture on the overall expression. Of course, in the creation of china bronze, we have been emphasized within the extended space and extension of space and co-unified. The industry of the bronze ran to the peak until the Han.  All times and there are many examples to prove it. For example, the ancient pyramids of Egypt and sub-Fox (the Sphinx), the Secretary show in the desert wilderness of mystery and majesty of momentum. Building here, bronze sculpture organic and the environment together, it is the unity of the three coordinate the pyramid to a unique geographical and cultural characteristics of the perfect image, last forever retained in the memory of people. The most good at the right place at the right time, the financial landscape and natural landscape in one of the Chinese grotto art.
Environmental china bronze in the contemporary expansion of focus from the relationship between people and the environment, between man and nature, the environment bronze sculpture has an affinity for a more humane, making coordination of people and the environment, an important means of natural spatial relationships are more stressed. It can be seen in the treatment of the bronze sculpture within the extended space, the epitaxial space and works with the emotional communication space the three relations, environmental bronze sculpture performance: on the one hand the emphasis on body space bronze sculpture of emotional function point . On the other hand stressed that the subsidiary position of the extension of space relative to the epitaxial space bronze sculpture. Gilt art applied on the sculpture in bronze had taken place in the Warring States Period.

The process of reconstruction in the region to civilization is a very important mission. "(cited in Trento, Italy City "ecological Bronze Museum and regulations promulgated.") At this point, the four ecological Bronze Museum has been recognized by the Trento autonomous province of regulatory agencies, they are: Where the promise ecological Bronze Museum (Vanoi eco-museum). Val The first Pizhuo ecological Bronze Museum, the small world of the Alps (Val di Pejo eco-museum, "Small the Alpine world"). The characters on the bronze allow them to trace the evolution of the bronze sculptures of China and the events they record. Zhu the Cagliari ecological Bronze Museum Road, Luo Maite to Gada (Judicaria eco-museum "From the Dolomites, to the Garda"). Willie Germany Chase ecological Bronze Museum, Trento's porch "(Valle del Chiese eco-museum" Gateway to of Trentino ".
Public projects by the public and private organizations to promote new ecological Bronze Museum is also in the process of building. Ecological Bronze Museum: international phenomenon. Recently, although not all regions of the world have ecological Bronze Museum, some regions of the world has established a lot of ecological Bronze Museum, based on the practical and scientific analysis of the results, ecological Bronze Museum is in the experimental process. It is well known that the dynasties of the bronze have been very far away. The first problem is to study the ecological bronze Museum, study the world on a variety of ecological Bronze Museum, explained the ecological function of the Bronze Museum and its commitment to the mission.
In order to clarify this issue, please allow me to quote, Trento, Italy autonomous province and Italy, political and economic Institute, held in Piedmont ecological Bronze Museum international symposium working paper. The symposium theme is "long-term contact network - ecological Bronze Museum and Europe," held in Trento, Italy in May 2004. Here is the definition: ecological Bronze Museum is a community related to sustainable development, conservation, interpretation and value of the dynamic process of their own heritage. Ecological Bronze Museum is based on the common aspirations of the community residents. The inscriptions on the bronze have kept the true face of that time, which has a very high research value.
From the complex reality of the definition should include the following, according to its sensitivity, ecological Bronze Museum: Recognizing that cultural process is the center of knowledge-based society; In the process of globalization at the local level requires certainly the aspirations of the regional social and cultural characteristics; Promote a variety of forms of positive factors involved in the management and operation of heritage within the region; Sustainable development and social responsibility; The practice of heritage management and mode of operation. The following will explain the bronze in details from several aspects.
More specifically, the ecological Bronze Museum is considered to be a practical means to promote the social and economic development within the region to protect the sustainable development of the environmental factors, the establishment of synergies with tourism and other economic forces, confirm that the region cultural heritage, and to an open society. That Zou Wuwang sent a punitive expedition against Shang Dynasty is a major historical event recorded by the bronze. Ecological Bronze Museum also assumed an important role to expand people's understanding of the cultural meaning, it is important to protect cultural, can be compared to other cultures. The museum's mission of ecological bronze. The literature and research that the museum's mission of ecological bronze include the following.

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 ecological Bronze Museum is not an isolated Bronze Museum. New Bronze Museum Movement denied the elite attributes of the traditional bronze Museum, china bronze sculpture is no longer as an isolated "representatives" exists. New Bronze Museum Movement on the recognition of the multicultural and multi-value, all-encompassing within a single display space is unrealistic. Taotie itself has strong color of mystery and existed in the Erlitou bronze in Xia Dynasty. Therefore, the overall ecological china bronze sculpture is a network, in addition to living in the information center of the hub, should also include a series of distinctive satellite Pavilion. Is advocated by the New bronzes Museum Movement in-situ preservation program, the immovable landmarks and geographical attributes highly process and technology and so on to take the form of satellite Museum.
Since the mid-1990s, the professional background of Bronze Museum, Lu Jiansong has been the advocacy of new ideas on the reform of the Bronze Museum figure, is also a reverse thinking minority. Now, in this new bronze museum movement, Lu Jiansong about three days a week around the bronze sculpture statue china project to provide services, expert fees of $ 250 per day, or even more. Lu Jiansong busy running around in various cities, repeatedly it clear that his subjects research funding has been very adequate, and he would like to do our best to numerous bronze museum building, to provide a standardized script mode. There are also some decorations on the bronze look like a bird, the phoenix or even human.  Compared with the large number of perennial ceramic bronze cultural experts, Lu Jiansong obviously more creative talent, talent, he is more like a creative director, script master and stage director.
 He is each of their participation in the bronze sculpture carefully write a a good stage play, so that each exhibition into a perfect attractive performances. "It comes to their own career planning, Lu Jiansong all understood as instincts. The mysteriousness of the bronze has gradually declined in the Western Zhou Dynasty. Year, graduated from Fudan University heritage management professional stayed the Lu Jiansong their own future - "the archaeological finds of university academics, scholars can not be compared to professional standards and Bronze Museum, because we do not have long to play with the kind of experience and research of cultural relics , is a primary school, it is difficult to achieve a reputation, so I think the bronze Museology, Humanities and Social Sciences disciplines, the research strengths of universities should be concerned about the cutting-edge things, concerned about the need of social development.
 den type of knowledge can not be done. In fact, the archaeological finds in Exhibition chinese bronze sculpture statue, natural science, art, science and technology, history, and all aspects of the exhibition hall are bronze Museum. Anyhow, dragon and phoenix are still the pattern motif of many bronze. The basics of archeology and heritage, Bronze Museum made cultural products, and dissemination of the supply of the community to enjoy. archaeological excavations of significance is much greater than I do. "

The civilization of Xia dynasty is represented by the Erlitou site. The unearthed bronze wares are mainly wine vessels an the bronze ornaments inlaid with turquoise and animal faces and the remnants of the ring foot, etc., which laid the foundation of the basic pattern of Chinese bronze that takes the ritual vessels and weapons as the main categories.

Early shapes of the bronze are subject to and influenced by the various types of pottery at the same period. Such as three-legged bronze of the early Xia Dynasty as food vessel that it short, column-free with straight rim. Its original type is the Neolithic pottery tripod. The bronze gridling jue as the wine vessel is not carved with any patterns or cast with column. The body is thin and unadorned full of strong original atmosphere. The length of the spout and the pitch as well as the flat wide form is exactly the same type of pottery in the Longshan culture in western Henan.

This kind of bronze did not get rid of the impact of pottery jue. The three short and sharp legs are attached to the outside of the end of the body. The rounded and strong body is strong characteristics of the angular change. The bronze at this time did not form specific exact shape of the bronze and quite fresh contour. Besides, they were not polished exquisitely. This is undoubtedly the earliest form of the bronze jue. The rim of the bronze li is also corresponding to the rim of pottery li. Its foot continues to use the regular cone pottery foot. Thus, the bronze during this period in terms of the characteristics of the shape, are almost entirely the same as the pottery. Moreover, they evolution and development were synchronized with the corresponding pottery. The bronze of early Xia dynasty was still at the stage of pottery in the ancestral type and had not formed their own independent aesthetic features.

To the late Xia Dynasty, the bronze is relatively compact. The shape also has a certain aesthetic value. At this point, the pottery characteristics of the bronze jue significantly diminished. While the focus is on practical usages, the bronze was also very particular about the sense of form. The bronze of late Xia dynasty had developed the skill to make thin wall, which also set a precedent for the new shape of the design of bronze objects of the Shang Dynasty.

The decoration on the bronze of the Xia dynasty, on the one hand, inherited gray pottery and jade ritual ornamentation at the same period. On the other hand, it also combined the features formed in the authoritarian societies at that time. It further selected the refined and discarded the crude.  So no matter it is the structural feature of bronze ornamentation or performance all show stark features of the times.