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Garden Space and bronze
The Han Dynasty the Huo tomb stone base is very romantic temperament, it is because of symbolic significance to deepen from. This sculpture group, not only to commemorate an ancient carved in China from the Han and Tang bronze sculpture! Illustrious military exploits of the romanticism General Union, the art of ancient bronze statue of the greatest monuments. To show the world the part of the local Chinese bronze sculpture in the temperament of the most viable. Through the archaeological excavations, bronze of China have been found in the dozens of ruins in relics of Longshan era. That is a stone to record our relationship with nature, the Chinese people expressed their spatial concepts and the idea of combining life consciousness. The art of mental and emotional expression is not a source of water, its deeper origins could be traced back to the National Cultural Psychology. The psychological and the artistic spirit of the national culture is imprinted in the art, but it can not occur directly.
sculpture in bronze from the outset and ritual worship are closely related. Cultural psychology is represented by the early bronze statue system evolved by Sorcery a nebula-like vortex-like universe, in this universe, there is no clear spatial dimension, all the yin and yang phase g and quickly disappeared. Poisonous snakes, wild beasts, the great enemy of these primitive ancestors, implanted power worship God thinking, turned into pure energy and focus in the eyes of the drum convex Xuepen like a big mouth and sharp claws, they are floating in the air. people care space coordinates. The antique documents has recorded that people have set to cast bronze around the Yellow River. This mysterious dark worship, because of concern for life and has a very strong symbolic significance. This symbol in the development of ancient bronze sculpture has been given a kind of romanticism. Here, we can be for romanticism in Chinese ancient bronze sculpture plus one, it is concerned about life, compassion for life, or Acura, have expressed a unique sense of the life of the Chinese people.
The romanticism of ancient china bronze sculpture of the Han and Tang bronze sculpture, filling completely. Han and Tang Dynasties take to open up into the open spirit of the times of integration and deep male's big deep artistic spirit of the achievements of the numerous bronze sculptures of the Han and Tang Dynasties era, those outstanding works of romanticism is still now emits its fold The pleated brilliant. In contemporary, modern Western art concepts raging like a plague to the impact of our traditional culture and art. The cradle of the bronze is located in the middle and lower reaches of the Yellow River and Yangtze River. Our art without being overrun by the only way, is based on mining the essence of traditional art to a broad mind to absorb Exotic culture. An important part of traditional art Hitodo bronze art is also facing this problem. Modern installations, materials, works, ideas, works ... all beautifully on the big stage to the Chinese Bronze Sculpture. As the research of Chinese artists in the art of bronze sculpture are blind followers converted to its door, calmly, and to seek a breakthrough, or behind closed doors, different and do not ask!
The bronze sculpture is an entity of space art, its morphological characteristics exists in the relationship of the material volume of real space and its emotional expression through processing of the material substance and space. Inner Mongolia accounts for the paper Conclusion Bronze Sculpture by Normal people learn Dam I broke it as ideology materialized products, is part of the superstructure areas of, with the development of socio-economic development and changes. With the changing times, different times of aesthetic taste, aesthetic psychology has, which requires a different style, the style of the art form of corresponding, bronze sculpture as an art form part of, bear a "responsibility." Longshan era, early stage of the bronze, dating back to 4500BC~4000BC years ago is equivalent to the time of Yao, Shun and Yu (legendary emperors in old-aged China). Times to move, Bronze Sculpture, modeling methods and cultural functions are also undergoing rapid change. " Bronze sculpture in ancient times, Han and Tang bronze sculpture
of two peak period of development, its artistic achievements are obvious to all.
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The Top Ten Western Classic bronze
Figure Bu 5 Zhaolingliujun the one white hoof black Figure 1-6 Zhaolingliujun the thirty cutting Chek Tang dynasty tomb figurines bronze sculpture of ancient Chinese bronze sculpture of a peak, the works of this period is not only rich in content and wide range of topics, reflecting the various levels of social life, but also in the type of larger development. In addition to bear the responsibilities of the the soothing underground souls, the Tang figurines in the shape and the richness of the theme also revealed a trace of romanticism in Chinese. Moreover, people belonging to different levels had to use different bronze. Religious sculptures of the Tang Dynasty, Northern Wei show bone like that style of development to become "plump luxurious charm, soft genteel, Buddha nature, being mixed with the earth atmosphere and temperament. In this process, Chinese customary tolerance and broad Romantic atmosphere again into Buddhism among the wrestlers in the Tang Dynasty Buddhist statues of kings, Bodhisattvas, flying in a perfect human nature to disclose all of the Tang Dynasty romanticism feelings.
They constitute the Han Dynasty when the grand boldness of this man can conquer nature and the romantic feelings of the art integration Bronze carved a deep male style. Tang unification, and the south of the Central Plains of the northern nomads have a close relationship this time Han Hu ethnic and cultural integration and reunification of Tang culture on the one hand to the Qin and Han as an example, in the spirit of constant pursuit of ambitious male Korea temperament and cultural arts; the other hand, foreign cultures also to show Kuanbo the male pregnant, which is an open integration successful era, exotic drain satisfied, bring benefit to what Tang cultural prosperity is an important factors. The bronze is helpful to maintain national unity, internal stability.
From the Han and Tang bronze sculpture fancy romanticism many the seine ancient bronze sculpture stone art, was also known as three hundred years of the Tang Dynasty stone inscription open-air museum ". Ridicule the famous "Zhaolingliujun" the finest stone works of this period, called the classics of ancient Chinese sculpture, carved occupy an important place in the history of Chinese bronze works production techniques mature, flowing lines, full, full of strong volume sense; and all body rounded in bold relief, and full of energy, an imposing appearance, and romantic way to show the horse's fortitude and God Jun. In old times, the bronze was one of the effective means of defending the rights of different ranks. Pei Zangmu stone before, although its content, subject matter, but its styling and technology is not the same, and some ancient brave, and some off-tim quiet, some of Ziya Dengmu both an expression of the artisans in the plastic arts aspects of the imaginative, the bronze carved romanticism.
Art of the Tang Dynasty to the Qin and Han as a model, but it is moving and the Han Fei grand vigorous known. flow away, odd birth exaggerated compared to the Tang Dynasty culture showing a gorgeous warm, rich, vivid face of blossoming If to establish the extension of the ancient Chinese culture to the Han Dynasty, the Tang Dynasty laid the ancient Chinese culture connotation, and the Tang Dynasty culture is the maturity of the Chinese traditional culture, toward comprehensive brilliant. For this reason, the Tang Dynasty Bronze Sculpture show the multiplicity and typical characteristics of 'funerary stone works in the Tang Dynasty Mausoleum of the number of so-called "Guanzhong 18 Ling" for hundreds of years break after another left the copper. Meanwhile, the bronze is only conducive to the rulers.
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Probing into the Cultural Character of the bronze
Tang culture is the culmination of the ancient Chinese feudal culture, led to the accumulation and precipitation of the culture of the Tang Dynasty bronze carving the diversified development of the aggressive spirit of the times in the Tang Dynasty sculpture multicultural blend, ruler of strong nomadic complex, leaving Tang Dynasty Bronze Sculpture plug the wings of imagination, and consummating the infinite reconcile the most intense romantic Chinese Ancient Bronze Sculpture. space in Figure Bu a horse riding swallows Figure I-2 Zhaoling six dressing - green dappled from the Chinese culture point of view. The nations of pre-Qin and other states of the Central Plains all once had bronze.
In order to matter Jing Yu, freehand into the achievement of a work of intense romanticism. tomb sculpture works the idea of extraordinary variety of themes, imagery, breadth, simplicity works and spiritual interest, forces such as wind and thunder, the magnificent, showing a strong artistic appeal Figure 1-3 stormed dancer figurines Figure 1-4 drumming rap both addition r Han Dynasty bronze sculpture of another major achievement - the pottery in, but also have a lot of the work of romanticism, such as' stormed dancer figurines, "hit Drum Figurines of the Han Dynasty bronze eagle with its great boldness of vision for future generations to create a romantic world of myth - History – reality. Making bronze is kind of biggest internal matter.
The Han Dynasty of Qin, Chu culture double inheritance, is a great integration of the culture of the northern Yellow River Basin and south of the Yangtze River Culture. "Slips of Qin to the Han dynasty inherited the feudal rule of the Qin Dynasty Han Dynasty bronze sculpture of an outstanding representative of Huo is the tomb stone. There is nothing matter than the ritual bronze. Huo tomb of Han Wudi Mao Ling Pei Zangmu 2 copper bronze sculpture Inner Mongolia Normal University, Chung l: discretionary will its construction in terms of ideology reflects the prosperity of the Western Han Dynasty and actively into taking dauntless spirit, is the monument of a hero of the Han Dynasty and the whole tomb-shaped with symbolic significance, and strengthen the role of monumental symbolic given the grave of every one bronze sculptures, objects Yu.
Eagle start with the evidence of the reasonable conclusion of this thesis, and dig elaborate the background of the reason for the formation of a, deep forceful, profound Han and Tang bronze sculpture of the Han Dynasty and Tang Dynasty together constitute the most dynamic chapter in the history of China, the Chinese bronze carving the most successful moments, also happens to be at this moment. Chinese bronze are represented by its bronze containers. Han and Tang era Chinese ancient bronze sculpture two peak periods of the development of the arts, with its high artistic achievement led to the perfection of the ancient bronze sculpture art system. Han and Tang bronze eagles are powerful broad sense of the times, reflecting the radiance and glory of the Empire, the ancient bronze sculpture Romanticism in the Han and Tang on its head. Han Dynasty horse riding Chebi.
Huo tomb stone carvings of the Tang Dynasty" Zhaolingliujun Feitian Qianling winged horse are all indicative of the romantic spirit of the Han Chinese and Chinese continuation of the Central Plains culture after weeks of culture as the basis of Chinese culture, but also inherited the romantic spirit of the Chu culture in that pioneering era, the deep male Han Dynasty bronze sculpture has been given the intense romanticism. As the proverb goes, the great events lie in the bronze and military affairs. Both bronze sculpture art ideas, theme performance, the choice of theme, form of expression, are the means of revealing the romantic spirit of the Chines.
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Explore the Export and Import of the bronze
Through different forms of this design, different materials, different space trestle base point of the atmosphere, which is dotted with bronze sculptures of natural materials, a reflection of the bronze sculpture to reflect the water now, people have forgotten the existence of the border, so quietly fusion of heaven and earth, land and water space, making the area has some mysterious, quiet atmosphere, quite oriental Buddhism Zen, people feel so close to natural and human. People across the crossing in order to feel the dramatic experience. The unearthed bronze has no modifications by the later generations.
Tree array or drift in the water, or fall into a lush wetland plants, or embedded in the grass, wherever, unique personality will be revealed beyond doubt. Example 2. The diversification of the regional spatial landscape bronze sculpture morpheme --- cruising bridge (see Figure 2) to land the introduction of the water's edge at the same time the introduction of the water to the land, we are trying to create water and land one of the hydrophilic riparian, land and water boundaries are fuzzy and soft technology. As to the inscriptions engraved on the bronze, especially the longer ones are the reflection of people’s real life. The trestle is a morpheme symbol closest to the natural water body, they touch the water quietly, to resonate with the water at any time, at the same time because of abstraction, a symbol of its unique cultural significance.
"Action theme" space to create a relatively dynamic space atmosphere of the main tone, stressed that public participation in behavior-oriented. Bronze sculpture planning focused on the import and export, commercial and leisure club area, road nodes, and cultural square, open construction around the extended area. Hence the inscriptions on the bronze still keep the true face of that time. Moderate expansion of the range of functions of the regional nodes, the functional significance of the theme spread to the dynamic expansion of the space of the human environment, and strengthen the importance of participation by the public dynamic, providing more room for development of residential and commercial activities, more activities to the public space beautify the city.
Bronze sculpture designed to use the rich flavor of the times the morpheme and color, combined with modern high-tech materials, efforts to create a harmonious, natural, full of contemporary bronze sculpture of medium volume and bronze sculpture. The diversification of the regional spatial landscape bronze sculpture morpheme wind by shape (see Figure 3) natural mountain ecological region and the height difference of the artificial barrier system the wrong shape "mountain" of art and mechanics inspiration. The ancient bronze has high research value.
Case of a regional spatial diversification of landscape bronze sculpture morpheme --- whirlpool Willows (see Figure 1) willow is a very common and who is also the species of the historical and cultural language, or alone standing in the young wheat ridge above, or arranged The zonal distribution in or into the wetlands next to the muddy countryside mechanized farming. Tree array, this design through whirlpool mesh distribution in a natural landscape of native vegetation background on top of this extraordinary tree according to the spacing 2 m column in the whirlpool of a use of tile and soil piled in to a memorial of place, to convey the charm of the Ba Liu culture weight was elegant. It is very difficult to have more real understanding of the history on the basis of these incomplete bronze.
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bronze, Works of Imagination
This respect for thousands of years regarded as the supreme art is an imitation of realism and idealization of the natural product of the combination of noble and beautiful style, reaching the pinnacle of artistic realm, and has been cited as the pride of human civilization (see Figure 2). Tragic chinese bronze sculpture Laocoon "(Figure 3) is a pyramid composition, both stable and changing bronze sculptures of priests, the Laocoon, the performance of skilled techniques, because he warned the people not to leave the Greeks the horse into the city and to offend the gods, God sent python Laocoon and his son Chansi the scene is the violent conflict between man and God, the Laocoon and his son in despair. bronze are treasures of Chinese culture.
Struggling, shouting, and its expression of pain , two boys and thick Greek-style statue, with a tragic beauty unspeakable, embodied the noble beauty of fashion is unprecedented. the history of the world bronze sculpture, opened a prelude to the performance of the tragic nude statues, Greek art Aesthetic Thought and write a brilliant chapter. The concern and attention from the people credit the profound historical and cultural connotations of the bronze. Figure 3 Greek bronze sculpture the Laocoon F ig, 3 T-he G reek and scu the lp tu re "ao koon" L 3 Conclusion Greek bronze sculpture embodies the lofty aesthetic fashion to improve the spiritual realm of the Greek civilization in Greece the gospel from the Archaic period to the Hellenistic era, has gone through a few hundred years of history, each piece of Greek bronze sculptures are shining the light of aesthetic ideas to civilization adds with dazzling brilliance from the remnants of the name carving can imagine the fate of the Three Graces.
Pat gorgeous family temple, dignified and brilliant gold wall can be speculated that was Greek, not only in the field of culture and social practices, but also in material comfort level of civilization, are high-level to stay in Western Bosnia.
The moment before the climax - the statue carved gold point bears huge, explosive, and the body to produce the four directions, free and easy movement, the balance of power, echo each other. both change, and unity, the form and content are the best combination to achieve a high degree of unity, so far the times still people learn from one of the examples of sculpted Greek bronze sculpture of the realist aesthetic ideas into new areas, to consummate the point (Figure 1). Its appearance seems to break the market of the china bronze statue which has been silenced. to accomplish these China University of Mining 28 610 had a festive atmosphere, its entire momentum, with a spiral feature, excited about every one to appreciate the noble and beautiful style in this statue has been improved. combine tremendous vitality of the arts, Greek bronze sculpture aesthetic ideas into a higher level.
Enjoy the famous statue "Venus de Milo," this respect ancient beauty of the typical characteristics during the works, with all the femininity and the appeal of the statue is both the goddess is typical, but also the set where female beauty is a half-naked fiber carcass and legs of clothing crepe knot heavy and thick, in stark contrast with the upper body nudity, the image of the high degree of perfection. she sometimes seems like a lively, sometimes it seems to appear side Zhuang Anxiang, sometimes showing charming the attitude of the state, there is a stirring artistic influence future generations on the arm of her imagination, to Venus in a variety of hands. decorate, imagine where the most touching charm. Meanwhile, it proposes a new understanding of the value of the bronze sculpture.
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