Buddhist chinese bronze sculpture that stylized creation mode from Wei until modern times lasted forever changed the traditional Qin Hanqing bronze for the creation of reality and life, and to a large extent on the shackles future generations bronze sculpture vision and ideas. Such a bronze is seldom seen. Qin and Han Dynasty China asked the nude statues created by free approach, relaxed environment can no longer cease to exist, bronze sculpture have to do is perform a carving program routine provided by the upper consciousness, not to mention the creation of the subjective initiative. Even in highly developed arts and culture of the Tang, and only a few works in accordance with the spirit of realism the creation Zhaolingliujun "stone, Tang Dynasty figurines can be compared with the Qin and Han to say that this is a bronze sculpture in the history of great regret.
Therefore, the overall reflection bronze sculpture history in China, Qin Hanqing bronze art the height of artistic achievement, from a perspective. Precisely relative to future generations no longer a phenomenon Tang as the mass peak of the. A bronze like this showed up in this tomb has confused the experts. bronze sculptures of the nationalization of its prosperous and laid a most significant feature is the "image" style basis of Chinese art is different from the West. Pottery patterns from the original Yangshao, Longshan Culture period, began to reflect the mean of the art of thinking traces. Similarly, the formation and evolution of Chinese characters and calligraphy are inseparable from the understanding of the "shape" and "like". 'Book of Changes ". An Image to the expression "has the scope of the" image "to be extended to all the objective object, but also so as" to become the object of the Chinese nation thinking "means" by "meaning" to small to see from the table and, perception, or to explore the nature of things.
I's "Mystery" concept and Chuang Tzu's "like a monopoly of wisdom" have a view of this resolve: I "mysterious" to dominate the universe take on the "invisible", that "Great Music, invisible elephant", that is the most advanced aesthetic is often the experience with a heart to heart the experience and insight to be better than simply from the appearance of perceived "sound" or "form"; The technology of bronze had been advanced to some extent.  Zhuangzi like neglect, but also speak to the tangible and intangible, virtual and real, rational and emotional dialectical relationship. The Zhuangzi requirements beyond the aesthetic in a tangible "as" grasp and control to capture the inner lives of love ", thus achieving the" body and materialized, "the high art realm of Heaven.
It showed that the Chinese nation to enter the developed civilized society, on the the world of direct levy China Qin Hanqing china bronze statue flourished reason of service with the victory, the victory of art are increasingly required to sure, praise and pondering their own existence of the natural environment, Shan Yue Jiangchuan, the palace houses one hundred soil soaring as well as a variety of animals object. Another famous bronze excavated in Sanxingdui are two bronze sacred trees.  "I believe that the Qin and Han Dynasty bronze sculpture theme of reality and bronze sculpture created the spirit of realism, in addition to the requirements of the enthusiastic spirit of the times, there is another important factor, since the Eastern Han Dynasty began to enter the Chinese Buddhist thought not yet have a significant impact on the Han. Buddhist art flourished some help for future generations of the bronze sculpture creation, but the general seemed to have more harm than good.

The works reflect the real life scenes. Such as one-third of the height of the Han Emperor Ling Han figurines only real, but in the form of God attached great importance to charm, is a group in a relaxed atmosphere in the face of joy, temperament behaved even matter, rich in unadorned plain modal change. This chinese bronze is very large and big in size.  Eastern Han Dynasty unearthed in a variety of funerary funerary objects, the sheer number of broad themes, further than the Western Han Dynasty. The figures of slaves, Xiaoli, cooks, farmers, warriors, generals, music and dance Kabuki, natural images pavilion, traveling, boats, wells, buildings, equipment and animals, etc.. 'Drumming Figurines, Chengdu, Sichuan Eastern Han Dynasty unearthed in 1957, the air is extremely vivid, very strong in the breath of life, can be used as the representative works of the Eastern Han character figurines.
Ceramic animals of the same period the number of bronze sculpture a lot of high achievement, and will also show a vivid and simple. Apart from these bronze, there are other types of bronze statue.  Performance of the depth and breadth of real life, a considerable degree of manifestation of the stone reliefs of the Han Dynasty, brick carving. Such as Stone Reliefs of Shandong Wuhou Temple, the most common depiction of the historical story; while in Nanyang, Henan Han Dynasty stone depicts a larger proportion of luxury living scenes scene before the tomb of life, reflecting the spirit of realism of the Han Dynasty stone art; on behalf of Han Dynasty brick art of the highest achievements of Sichuan brick, almost 90 percent to reflect the real-life subject matter, both rich and diverse, where during his lifetime enjoyed the mountains Tazawa, traveling bedroom feast game, dance acrobatics. are the specific shape.
 The masonry, a true record of the social production and living style. Qin and Han dynasties artistic characteristics and achievements, the reality is the theme. Humans and animals is the main object of the bronze sculpture creation, these images is the reproduction of the real-life bronze sculpture have full play to their wisdom and creativity into their own thoughts and feelings, and aesthetic appeal, these Image to be rich and moving work of art, to show their passion for real life and positive attention. Sanxingdui also unearthed dozens of similar bronze. The reality of the sculpture in bronze, provides the most powerful example of the Qin and Han era of realist art. Hou 'aesthetic three books, "1999 edition, generously said: the breadth of the description field, the scope, the object of it is indeed almost to future generations of art are then not reach.
The imperial tombs of the Qin Terracotta Warriors and Horses is the masterwork of realism. Thousands of different images, different temperaments, different costumes, armored warriors, horses and soldiers stood side by side horse, showing the year of how to attach great importance to the faithful to the reality of creative logic. So they made such a bronze the memorize her. The realistic achievement of pottery horses of the most prominent, if not bronze carving craftsmen in-depth real life, not the horse has the nuanced observe a Xixixiangtong of feelings, it is impossible to shape such a vibrant group of horses. 'S growing popularity of the Han Dynasty burial figurines make the system more developed, not only stimulated the development of the art of bronze sculptures, but also on the art theme derived from the extremely colorful characters all living creatures, dancers, jugglers, maids, guards, military.

bronze art of this period, from the Shang and Zhou dynasties that strongly reflect the mysterious and weird witchcraft and religious ideas of the slave-owning class, freed to reflect real life, the performance of man and nature Wrestling firm and heroic optimism their characteristics. "In Praise of humanism under the banner of life, history and reality occupy an important position, which is the inevitable result of social progress and civilization. Restricted by the application of bronze, the common people can’t reach their hands to the bronze.  Have more of the bronze sculpture to observe the reality, from life to find the source of creation, in order to accurately painted an objective manner, so that the bronze dragon closer to life. Specifically, the bronze sculpture of this period clearly has the characteristics of reality, nationalization and popular.
Bronze Sculpture of the reality of its prosperous and laid a theme basis since the Qin arts and humanities spirit's emergence, the liberation of humanity prompted works of art to a sophisticated, beautiful and practical, and interesting in the Qin and Han dynasties, has become the master of the art creation by the performance of the will of God to reflect the will of the people secretive ghost world go back to the real world can be seen as human nature back to nature. reality to create a new era: Qin and Han dynasties to develop the territory, dominate the mountains and rivers of the spirit of the times determines the artists and people to create out feats of the diversity of prosperity as the object of worship and performance of the rich living heritage and objective reality of life itself. Some of the bronze sculpture statue can not be made so clever and exquisite.
 Qin Hanqing bronze a rare future generations the diversity and creative environment, more specifically, a wide range of subjects, it has laid for the rise of the Qin Hanqing bronze for the reality of art, Xunzi has proposed the concept of "nature" (nature) and "pseudo" (human), and then discuss asexual is pseudo-nothing to add no false nature can not from the U.S. ('Xunzi? ceremony On "). It is well known that the bronze of Shang and Zhou dynasties have been very far away. He stressed the art, with people, the United States should work closely with the social combination, and promote each other, and should not be divorced from the reality utilitarian, so that it can produce artistic beauty, in turn, the beauty of art can make the real world a better place. In fact, the Qin and Han Dynasty bronze sculpture have precisely firmly grasp the creative principle of realism, to make the best interpretation of the truth of "the art of Chinese Qin Hanqing bronze flourished reason of that comes from life than life" .
 The ritual service and obedience to God, transforming them into service and subject to the person "(hou" aesthetics three books, so that later art more realistic, more inclined to humane. Mencius even suggested that "people are the boat followed, the king of light" claims still has practical significance in today's people-oriented; Xunzi "system fate. used "man can conquer nature thinking and atheistic thinking of celebrating the great strength, and Legalist thinking has become a regime change in the ideological weapon, the two can be described as the same thing. money sea source of well-known scholar in the 'ancient Bronze Sculpture" (1989) said: "This period highlights the emphasis on 'people'. Spirit. The chinese bronze of late Shang Dynasty has always been treasured by people around the world.

 This glazed earthenware statue, the main exposure, folded shoulders, deep abdominal end of the concave shape, the individual has been ring-foot. End of weekly business there is one kind of large luxury mouth, tube-like respect, scholars, or so-called "goblet-shaped statue. Respect of the mid-Western Zhou, the characteristics of the body base, short neck, hanging belly. In addition, some respect, or cover, or Pan (handle), or square, or round the mouth square body, and so forth. The famous sheep statue, is the outstanding representative of the parties respect. A chinese bronze sculpture can tell the honor and position of the royalties in the sacrificial activities. The early Warring States period of the tomb, has unearthed a statue of disk, the statue stand on the plate, the two into one, the whole body of the statue's mouth, abdomen and disk, and are extremely harassment of openwork decoration, it is not only exquisite shape.
China as early as the 5th century BC, which mastered the conclusive evidence of the investment casting technology. No doubt the bronze is the most crucial but not necessary. A special shape of animals and birds-shaped statue overall a three-dimensional shape of animals and birds, cover, flow cover and stream processing very clever. Cover, such as double-lines like the mouth of the statue of the set like back cover New Zealand is a small elephant, the formation of the elephant pack like the art form, very vivid. In addition, the bird statue, the owl statue, horse statue, rhino statue, Yang respect, tiger statue, and many others. Respect is the generic wine ceremony, so some ritual, often self-Ming Zun Yi.
The ancients said, "Winning in the bottles (respect) between the ZU", that is, with negotiations on the other side to win in the drinking carnivorous feast. Zushishengrou device. Because of its use generally, and their descendants simply will "respect" as a glass on behalf of said. Gong gōng - is a flat, there is the mouth engraved on the cattle concave graphics of the nude statues. "Poem. Zhou Nan. Among all the unearthed artifacts, many images on the bronze are sparsely in the taotie pattern. Of the Word" "Regardless of discretion He concave Gong" verse, the old note said: "Gong big seven liters to the concave angle whom." But not necessarily the angle of the system, the archaeologist found bronze sculptures, the capacity is indeed larger than the usual glass, so future generations often generally referred to as blackjack said Gong.
Goblet gū and "gourd" pass, which is a gourd, the ancients used gourd shell as a float filled with water slurry, of course, wine, and the name of this bronze wine vessel probably resulting. Gu is a big mouth, the bottom of the contraction into the bronze wine vessel, its capacity, according to the rites, "Zheng Xuan Note:" Grand, one liter; goblet, two liters; goblet (also the china bronze statue), three liters; angle, four liters "But there are said to be the angle that can accommodate three liters. The goblet zhī - is a flat round belly bronze wine vessel. Objectively, the manifestation of the mental connotation and the visual characteristics is a key factor of the bronze. <Records of the Historian> records Xiang gave Liu Bang Banquet on the Bue Fan Kuai drink wine goblet, visible is a large capacity of bronze sculpture. <Historical Records> Xiang Yu to Fan Kuai "bucket goblet of wine", when is a special goblet capacity of one liter.

 Exquisite porcelain of Jingdezhen production of blue and white porcelain of the Ming and Qing Dynasties, Chenghua Doucai, cloisonne, prime three-color, etc., and indeed said the porcelain with the best gold, silver, jade, chinese bronze from the glory diminished, glass for new treasures. Otherwise the bronze will be removed out. Of modern winemaking techniques and lifestyle had a significant impact on the wine. The 20th century, due to the rapid development of wine industry, the way to stay transfer of several thousand brewed for personal use is gradually eliminated. Modern wine factory, white wine and rice wine packaging: bottles, mounted the altar, for beer, bottles, barrels, cans, etc..
The wine was introduced into China from the late Qing, drinking, and drink bronze wine apparatus into China. Westerners drinking, on different occasions, drinking a different wine, they have to choose the appropriate glass, could not be used indiscriminately. Wine wine to be applied in some of the more upscale dining. Decorations on the bronze can change with the different identities of the owner.  Dining options, from high, medium and low several files. The upscale dining is mostly due to sales of wine for the wine class, it is drink bronze statue with Western features. As people's living standards improve, the wine used in these high places gradually in the civil recognition, but not widespread. The wine in the food and beverage outlets with more standard star hotels or restaurants. Must have in place more than two-star hotel bar. Star hotel higher, the greater the size of its bar, the more complete facilities, luxury, the higher the price of the wine. Of course, the wine is even more complete and standardized.
Currently the sale of wine in the bar, the majority of wine, brandy, whiskey, rum, gin, vodka, champagne, liqueurs and other varieties. The inscriptions vary along with the diverse shapes of the bronze. The cocktail is also more common. Different wines, different glass, which is the basic knowledge of the bar staff. The range of glass types, different shapes, which have historical, geographical and other reasons, but also reflect a degree of scientific and artistic. In its foreign relations, the proper use of a good wine glass is very important. The MG jué - is a three-legged, big belly, decorated with a the Wo pattern of bronze wine vessel, or exposure sculpture in bronze decorated with bird graphic. The earliest bronze ritual to drinking of warm wine. "Text": "Grand, the ritual". MG The bronze wine vessel named because of its shape like a birds, in front of the stream, as if the bird edge, behind the tail, belly slender enough.
 The ancient "Grand" and "bird" homonym Universal. Underground excavated clay and bronze, "Zuo said it was jade and bronze wine vessel. Than the Jazz are now seeing a larger capacity of wine, 6 liters, the ancient books. Jazz is a bronze wine vessel used in one ceremony, the king gave them drink to the subjects as And "Peerage", "title". The respect zūn - typically extravagant mouth, high-neck, puff or barrel belly, ring foot. What the intact bronze seems to demonstrate is the importance of its owner. After the tripod in position in the ritual. In the Neolithic Age pottery statue, shape, compared with the big mouth, or part-tip at the end. Shandong cultural sites, some human attention carved symbols, is engraved on the big mouth statue. This respect may be used to make wine. The bronze statue, after the Shang Dynasty bronze sculptures, compared with Sheng. China's earliest known glazed pottery statue unearthed in Zhengzhou Ming Gong Lu and Huangpi Panlongcheng providers, mid the ruins.